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He sees his job as a journalist as an extension of his Superman responsibilities—bringing truth to the forefront and fighting for the little guy. He believes that everybody has the right to know what is going on in the world, regardless of who is involved. To deflect suspicion that he is Superman, Clark Kent adopted a largely passive and introverted personality with conservative mannerisms, a higher-pitched voice, and a slight slouch. This personality is typically described as "mild-mannered", perhaps most famously by the opening narration of Max Fleischer 's Superman animated theatrical shorts.

These traits extended into Clark's wardrobe, which typically consists of a bland-colored business suit, a red necktie, black-rimmed glasses, combed-back hair, and occasionally a fedora. Clark wears his Superman costume underneath his street clothes, allowing easy changes between the two personae and the dramatic gesture of ripping open his shirt to reveal the familiar "S" emblem when called into action. His hair will also change with the costume change, with Superman sporting a small curl or spit curl on his forehead.

Superman usually stores his Clark Kent clothing compressed in a secret pouch within his cape, [] though some stories have shown him leaving his clothes in some covert location such as the Daily Planet storeroom [] for later retrieval. As Superman's alter ego , the personality, concept, and name of Clark Kent have become ingrained in popular culture as well, becoming synonymous with secret identities and innocuous fronts for ulterior motives and activities.

In , Superman co-creator Joe Shuster told the Toronto Star that the name derived from s cinematic leading men Clark Gable and Kent Taylor , but the persona from bespectacled silent film comic Harold Lloyd and himself. In the original Siegel and Shuster stories, Superman's personality is rough and aggressive.

He often uses excessive force and terror against criminals, on some occasions even killing them. This came to an end in late when new editor Whitney Ellsworth instituted a code of conduct for his characters to follow, banning Superman from ever killing.

Ellsworth's code, however, is not to be confused with " the Comics Code ", which was created in by the Comics Code Authority and ultimately abandoned by every major comic book publisher by the early 21st century. In his first appearances, Superman was considered a vigilante by the authorities, being fired upon by the National Guard as he razed a slum so that the government would create better housing conditions for the poor. By , however, Superman was working side-by-side with the police. He adheres to an unwavering moral code instilled in him by his adoptive parents.

Superman can be rather rigid in this trait, causing tensions in the superhero community. Having lost his home world of Krypton, Superman is very protective of Earth, [] and especially of Clark Kent's family and friends. This same loss, combined with the pressure of using his powers responsibly, has caused Superman to feel lonely on Earth, despite having his friends and parents. Previous encounters with people he thought to be fellow Kryptonians, Power Girl [] and Mon-El , [] have led to disappointment.

The arrival of Supergirl , who has been confirmed to be his cousin from Krypton, relieved this loneliness somewhat. The catalog of Superman's abilities and his strength has varied considerably over the vast body of Superman fiction released since Since Action Comics 1 , Superman has superhuman strength. The cover of Action Comics 1 shows him effortlessly lifting a car over his head. Another classic feat of strength on Superman's part is breaking steel chains.

In some stories, he is strong enough to shift the orbits of planets [] and crush coal into diamond with his hands. Since Action Comics 1 , Superman has a highly durable body, invulnerable for most practical purposes. At the very least, bullets bounce harmlessly off his body. In some stories, such as Kingdom Come , not even a nuclear bomb can harm him. In the earliest stories, Superman's costume is made out of exotic materials that are as tough as he is, which is why it typically doesn't tear up when he does superman feats.

In later stories, beginning with Man of Steel 1 , Superman's body is said to project an aura that renders invulnerable any tight-fitting clothes he wears, and hence his costume is as durable as he is even if made of common cloth. In Action Comics 1, Superman could not fly. He traveled by running and leaping, which he could do to a prodigious degree thanks to his strength.

Superman gained the ability to fly in the second episode of the radio serial in He can break the sound barrier, and in some stories, he can even fly faster than light to travel to distant galaxies. Superman can project and perceive X-rays via his eyes, which allows him to see through objects. He first uses this power in Action Comics 11 Certain materials such as lead can block his X-ray vision.

Superman can project beams of heat from his eyes which are hot enough to melt steel. He first used this power in Superman 59 by applying his X-ray vision at its highest intensity. In later stories, this ability is simply called "heat vision". Superman can hear sounds that are too faint for a human to hear, and at frequencies outside the human hearing range.

This ability was introduced in Action Comics 11 Since Action Comics 20 , Superman possesses superhuman breath, which enables him to inhale or blow huge amounts of air, as well as holding his breath indefinitely to remain underwater or space without adverse effects. He has a significant focus of his breath's intensity to the point of freezing targets by blowing on them.

The "freeze breath" was first demonstrated in Superman Action Comics 1 explained that Superman's strength was common to all Kryptonians because they were a species "millions of years advanced of our own".

In the first newspaper strips, Jor-El is shown running and leaping like Superman, and his wife survives a building collapsing on her. Later stories explained they evolved superhuman strength simply because of Krypton's higher gravity.

Superman established that Superman's abilities other than strength flight, durability, etc. In Action Comics , all of his powers including strength are activated by yellow sunlight and can be deactivated by red sunlight similar to that of Krypton's sun.

Exposure to green kryptonite radiation nullifies Superman's powers and incapacitates him with pain and nausea; prolonged exposure will eventually kill him. Although green kryptonite is the most commonly seen form, writers have introduced other forms over the years: such as red, gold, blue, white, and black, each with its own effect. Kryptonite first appeared in a episode of the radio serial. Superman is also vulnerable to magic.

Enchanted weapons and magical spells affect Superman as easily as they would a normal human. This weakness was established in Superman Superman's first and most famous supporting character is Lois Lane , introduced in Action Comics 1.

She is a fellow journalist at the Daily Planet. As Jerry Siegel conceived her, Lois considers Clark Kent to be a wimp, but she is infatuated with the bold and mighty Superman, not knowing that Kent and Superman are the same person. Siegel objected to any proposal that Lois discover that Clark is Superman because he felt that, as implausible as Clark's disguise is, the love triangle was too important to the book's appeal.

This was the first story in which Superman and Lois marry that wasn't an "imaginary tale. Other supporting characters include Jimmy Olsen , a photographer at the Daily Planet , who is friends with both Superman and Clark Kent, though in most stories he doesn't know that Clark is Superman. Jimmy is frequently described as "Superman's pal", and was conceived to give young male readers a relatable character through which they could fantasize being friends with Superman.

Clark Kent's foster parents are Ma and Pa Kent. In many stories, one or both of them have died by the time Clark becomes Superman. Clark's parents taught him that he should use his abilities for altruistic means, but that he should also find some way to safeguard his private life. The villains Superman faced in the earliest stories were ordinary humans, such as gangsters, corrupt politicians, and violent husbands; but they soon grew more colorful and outlandish so as to avoid offending censors or scaring children.

Superman's best-known nemesis, Lex Luthor , was introduced in Action Comics 23 April and has been depicted as either a mad scientist or a wealthy businessman sometimes both. The details Superman's story and supporting cast vary across his large body of fiction released since , but most versions conform to the basic template described above.

A few stories feature radically altered versions of Superman. DC Comics has on some occasions published crossover stories where different versions of Superman interact with each other using the plot device of parallel universes.

For instance, in the s, the Superman of "Earth-One" would occasionally feature in stories alongside the Superman of "Earth-Two", the latter of whom resembled Superman as he was portrayed in the s. DC Comics has not developed a consistent and universal system to classify all versions of Superman. Superman is often thought of as the first superhero. This point is debated by historians: Ogon Bat , the Phantom , Zorro , and Mandrake the Magician arguably fit the definition of the superhero yet predate Superman.

Nevertheless, Superman popularized this kind of character and established the conventions: a costume, a codename, extraordinary abilities, and an altruistic mission.

The very word "superhero" is derived from "Superman". This flourishing is today referred to as America's Golden Age of Comic Books , which lasted from to about The Golden Age ended when American superhero book sales declined, leading to the cancellation of many characters; but Superman was one of the few superhero franchises that survived this decline, and his sustained popularity into the late s helped the second flourishing in the Silver Age of Comic Books , when characters such as Spider-Man , Iron Man , and The X-Men were created.

After World War 2, American superhero fiction entered Japanese culture. Astro Boy , first published in , was inspired by Mighty Mouse , which itself was a parody of Superman. These shows were popular with the Japanese and inspired Japan's own prolific genre of superheroes. The first Japanese superhero movie, Super Giant , was released in Starting with the Pop Art period and on a continuing basis, since the s the character of Superman has been "appropriated" by multiple visual artists and incorporated into contemporary artwork, [] [] most notably by Andy Warhol , [] [] Roy Lichtenstein , [] Mel Ramos , [] Dulce Pinzon , [] Mr.

Lennox Campello , [] and others. Superman is the prototypical superhero and consequently the most frequently parodied. In , Bugs Bunny was featured in a short, Super-Rabbit , which sees the character gaining powers through eating fortified carrots.

This short ends with Bugs stepping into a phone booth to change into a real "Superman" and emerging as a U. In Daffy Duck assumes the mantle of "Cluck Trent" in the short Stupor Duck , a role later reprised in various issues of the Looney Tunes comic book.

The manga and anime series Dr. Slump featured the character Suppaman ; a short, fat, pompous man who changes into a thinly veiled Superman-like alter-ego by eating a sour-tasting umeboshi. Jerry Seinfeld , a noted Superman fan, filled his series Seinfeld with references to the character and in asked for Superman to co-star with him in a commercial for American Express. Seagle's graphic novel Superman: It's a Bird exploring Seagle's feelings on his own mortality as he struggles to develop a story for a Superman tale.

Superman was depicted as emaciated and breathing from an oxygen tank, demonstrating that no-one is beyond the reach of the disease, and it can destroy the lives of everyone. Superman has also featured as an inspiration for musicians, with songs by numerous artists from several generations celebrating the character.

Donovan 's Billboard Hot topping single " Sunshine Superman " utilized the character in both the title and the lyric, declaring "Superman and Green Lantern ain't got nothing on me. This cover is referenced by Grant Morrison in Animal Man , in which Superman meets the character, and the track comes on Animal Man 's Walkman immediately after. Superman has been interpreted and discussed in many forms in the years since his debut, with Umberto Eco noting that "he can be seen as the representative of all his similars".

He regarded Superman's character in the early seventies as a comment on the modern world, which he saw as a place in which "only the man with superpowers can survive and prosper.

Grayling, writing in The Spectator , traces Superman's stances through the decades, from his s campaign against crime being relevant to a nation under the influence of Al Capone , through the s and World War II, a period in which Superman helped sell war bonds , [] and into the s, where Superman explored the new technological threats. Bush and the terrorist Osama bin Laden , America is in earnest need of a Saviour for everything from the minor inconveniences to the major horrors of world catastrophe.

And here he is, the down-home clean-cut boy in the blue tights and red cape". An influence on early Superman stories is the context of the Great Depression. Superman took on the role of social activist, fighting crooked businessmen and politicians and demolishing run-down tenements. Scott Bukatman has discussed Superman, and the superhero in general, noting the ways in which they humanize large urban areas through their use of the space, especially in Superman's ability to soar over the large skyscrapers of Metropolis.

He writes that the character "represented, in , a kind of Corbusierian ideal. Superman has X-ray vision: walls become permeable, transparent. Through his benign, controlled authority, Superman renders the city open, modernist and democratic; he furthers a sense that Le Corbusier described in , namely, that 'Everything is known to us'.

Jules Feiffer has argued that Superman's real innovation lay in the creation of the Clark Kent persona, noting that what "made Superman extraordinary was his point of origin: Clark Kent. Joe and I had certain inhibitions That's where the dual-identity concept came from" and Shuster supporting that as being "why so many people could relate to it". Ian Gordon suggests that the many incarnations of Superman across media use nostalgia to link the character to an ideology of the American Way.

He defines this ideology as a means of associating individualism, consumerism, and democracy and as something that took shape around WWII and underpinned the war effort. Superman, he notes was very much part of that effort. Superman is considered the prototypical superhero. He established the major conventions of the archetype: a selfless, prosocial mission; extraordinary, perhaps superhuman, abilities; a secret identity and codename; and a colorful costume that expresses his nature. Superman's immigrant status is a key aspect of his appeal.

The extraterrestrial origin was seen by Regalado as challenging the notion that Anglo-Saxon ancestry was the source of all might. Through the use of a dual identity, Superman allowed immigrants to identify with both of their cultures. Clark Kent represents the assimilated individual, allowing Superman to express the immigrants' cultural heritage for the greater good.

He argues that Superman's early stories portray a threat: "the possibility that the exile would overwhelm the country. Some believe that Superman took inspiration from Judaic mythology. For example, Moses as a baby was sent away by his parents in a reed basket to escape death and adopted by a foreign culture. Gabriel , Ariel , who are airborne humanoid agents of good with superhuman powers. All that said, historians such as Martin Lund and Les Daniels argue that the evidence for Judaic influence in the original stories is merely circumstantial.

Jerry Siegel and Joe Shuster were not practicing Jews and never acknowledged the influence of Judaism in any memoir or interview. Superman stories have occasionally exhibited Christian themes as well. Screenwriter Tom Mankiewicz consciously made Superman an allegory for Jesus Christ in the movie starring Christopher Reeve : baby Kal-El's ship resembles the Star of Bethlehem , and Jor-El gives his son a messianic mission to lead humanity into a brighter future.

From Wikipedia, the free encyclopedia. Comic book superhero. This article is about the superhero. For other uses, see Superman disambiguation. Superman in Superman: Secret Origin 6 October Art by Gary Frank and Jon Sibal. See list. Jerry Siegel , writer. Joe Shuster , illustrator. See also: Publication history of Superman and Superman franchise.

See also: List of Superman comics. The cover of Superman 6 Sept. See also: Superman comic strip. Main article: Superman franchise. Main article: List of Superman video games. Main article: Copyright lawsuits by Superman's creators.

See also: National Comics Publications v. Fawcett Publications. For other uses, see Clark Kent disambiguation. See also: Superman character and cast and List of Superman supporting characters. Main article: List of Superman enemies. Main article: Alternative versions of Superman. Title card of Super-Rabbit.

An early parody cartoon featuring Bugs Bunny as Superman. See also: Superman in popular music. Jerry Siegel always referred to this publisher as "Consolidated" in all interviews and memoirs. Humor Publishing was possibly a subsidiary of Consolidated. On September 30, , these two companies merged to become National Comics Publications.

In , the company changed its name to National Periodical Publications. Since , the publisher had placed a logo with the initials "DC" on all its magazine covers, and consequently "DC Comics" became an informal name for the publisher. Because the copyright to Action Comics 1 was in its renewal term on October 27, the date the Copyright Term Extension Act became effective , its copyright will expire 95 years after first publication.

See Catalog of Copyright Entries. United States Library of Congress. January Summarized in Ricca , Super Boys , p. Superman: The Complete History , p. Creation of a Superhero unpublished memoir, written c. Something more terrific than the other adventure strips on the market!

He gained fantastic strength, bullets bounced off him, etc. He fought crime with the fury of an outraged avenger. I understand that the comic strip Dr. Fu Manchu ran into all sorts of difficulties because the main character was a villain. And with the example before us of Tarzan and other action heroes of fiction who were very successful, mainly because people admired them and looked up to them, it seemed the sensible thing to do to make The Superman a hero. The first piece was a short story, and that's one thing, but creating a successful comic strip with a character you'll hope will continue for many years, it would definitely be going in the wrong direction to make him a villain.

He was simply wearing a T-shirt and pants; he was more like Slam Bradley than anything else — just a man of action. We don't specifically recall if the character had a costume or not. Superman on Film, Television, Radio and Broadway , p. Detective Dan was little more than a Dick Tracy clone, but here, for the first time, in a series of black-and-white illustrations, was a comic magazine with an original character appearing in all-new stories.

This was a dramatic departure from other comic magazines, which simply reprinted panels from the Sunday newspaper comic strips. Livingston in his hotel room, and he was favorably impressed. The Superman". Comic Book Marketplace. Gemstone Publishing Inc. Allen St. John, and even Bernie Schmittke [ At my request, he gave me as a gift the torn cover.

We continued collaborating on other projects. Tye argues that the account from the memoir is the truth and that Shuster lied in the interview to avoid tension. See also Creation of a Superhero unpublished memoir by Jerry Siegel, written c. He did not send me a copy of it.

Entertainment, Inc. He stated that in his opinion "Superman" was already a tremendous hit and that he would be glad to collaborate with me on "Superman". Men of Tomorrow , p. Compilation available at Dropbox. He wrote that he was completely withdrawing from any participation at all in the "Superman" comic strip and that as far as he was concerned: "the book is closed". Unhappily, I destroyed the letter. I did that because that was my concept from what he described, but he did inspire me [ They occasionally claimed to have developed it immediately in Daniels writes: " Siegel's collaboration with Russell Keaton in contains no description nor illustration of Superman in costume.

Tye writes that Siegel and Shuster developed the costume shortly after they resumed working together in late In the third version, Superman wore sandals laced halfway up the calf. You can still see this on the cover of Action 1, though they were covered over in red to look like boots when the comic was printed.

See Ricca , Super Boys , p. Our experience with him had been such that we did not consider him the publisher to entrust with the property and his proposal was rejected. National Comics Publications Inc.

Superman , p. Archived from the original on December 22, Retrieved December 20, — via Scribd. Note: Archive of p. This was a three-way call between Gaines, Liebowitz and myself.

Gaines informed me that the syndicate was unable to use the various strips which I had sent for inclusion in the proposed syndicate newspaper tabloid. He asked my permission to turn these features, including "Superman", over to Detective Comics' publishers for consideration for their proposed new magazine, "Action Comics".

I consented. The Life and Times of Jerry Siegel unpublished memoir, written c. The Saturday Evening Post. Archived PDF from the original on September 13, They knew that was how the business worked — that's how they'd sold every creation from Henri Duval to Slam Bradley. Carter was able to leap great distances because the planet Mars was smaller that [sic] the planet Earth; and he had great strength. I visualized the planet Krypton as a huge planet, much larger than Earth; so whoever came to Earth from that planet would be able to leap great distances and lift great weights.

It influenced me, too. Science Fiction Studies. ISSN Archived from the original on April 3, Retrieved December 6, I was inspired by the movies.

In the silent films, my hero was Douglas Fairbanks Senior, who was very agile and athletic. So I think he might have been an inspiration to us, even in his attitude. He had a stance which I often used in drawing Superman. You'll see in many of his roles—including Robin Hood—that he always stood with his hands on his hips and his feet spread apart, laughing—taking nothing seriously.

I did also see The Scarlet Pimpernel but didn't care much for it. In addition, it would, in a comic strip, permit some humorous characterization. Event occurs at Archived from the original on December 28, What if I had something special going for me, like jumping over buildings or throwing cars around or something like that? Then maybe they would notice me. I was so skinny; I went in for weight-lifting and athletics. I used to get all the body-building magazines from the second-hand stores — and read them Super Boys , p.

Joe just squinted the eyes like his idol Roy Crane [did with his characters] and added a Dick Tracy smile. August Coronado, California: Gemstone Publishing.

Its usage was almost always preceded by "a. Wonder Stories. The Times. The Independent. March 30, Archived from the original on April 2, Retrieved March 30, Retrieved July 30, The Beat. In , the first year in which sales data was made public, Superman was selling more comic books than any other title or character, and he stayed on top through much of the decade.

September 29, Retrieved July 8, A mere decade later, in , the average age of comic book readers was Superman: The Persistence of an American Icon p. The Comics Journal. Archived from the original on May 29, Retrieved March 1, Jerry Siegel had his hands — and typewriter — full, turning out stories for the comic books and the daily newspaper strips which had completely separate continuities from the Sundays.

Archived from the original on October 8, Retrieved March 2, Archived from the original on June 30, Archived from the original on March 26, Retrieved February 28, Having Superman's story play out across different venues presented a challenge for Jerry [Siegel] and the writers who came after him: Each installment needed to seem original yet part of a whole, stylistically and narratively. Their solution, at the beginning, was to wing it Not only did editors tell Jerry to cut out the guns and knives and cut back on social crusading, they started calling the shots on minute details of script and drawing.

Henceforth, Superman would be forbidden to use his powers to kill anyone, even a villain. No alienating parents or teachers. Evil geniuses like the Ultra-Humanite were too otherworldly to give kids nightmares The Prankster, the Toyman, the Puzzler, and J. Wilbur Wolngham, a W. Fields lookalike, used tricks and gags instead of a bow and arrows in their bids to conquer Superman. For editors wary of controversy, s villains like those were a way to avoid the sharp edges of the real world.

That worked fine when all the books centered around Superman and all the writing was done by a small stable. Now the pool of writers had grown and there were eight different comic books with hundreds of Superman stories a year to worry about. There would eventually be encyclopedias, two in fact, but the first did not appear until All the plot complications were beguiling to devoted readers, who loved the challenge of keeping current, but to more casual fans they could be exhausting.

There was none of what Mort would have called "touchy-feely" either, much as readers might have liked to know how Clark felt about his split personality, or whether Superman and Lois engaged in the battles between the sexes that were a hallmark of the era.

I want to get rid of all the robots that are used to get him out of situations. And I'm sick and tired of that stupid suit Clark Kent wears all the time. I want to give him more up-to-date clothes. And maybe the most important thing I want to do is take him out of the Daily Planet and put him into television. Most of them get their news on television, and I think it's high time after all these years. The corporate mind, ever focused on the bottom line of the balance sheet, favored bland "house styles" of rendering The Krypton Companion , p.

Superman was drawn in a more detailed, realistic style of illustration. He also looked bigger and stronger. I made him taller—nine heads high—but kept his massive chest. Drawing Superman. Essay reprinted in Eury , pp. Box Office Mojo. Archived from the original on August 26, Retrieved July 24, Moviebob Central.

We offered the dream of every man — to fly, to be super. Robert Maxwell hoped for an adult time slot, so he made Superman an adult show, with death scenes and rough violence. Stone Bridge Press. ISBN In Geraghty, Lincoln ed. Scarecrow Press. The New York Times. Retrieved October 26, The Licensing Letter. July 23, Retrieved August 7, Superman Homepage. Superman: The Persistence of an American Icon , p. Originally submitted as an exhibit in Jerome Siegel and Joseph Shuster vs.

YouTube video. NerdSync Productions. Archived from the original on November 22, Retrieved May 21, Copyright date registered as 25 September Alter Ego. Archived from the original on March 6, Retrieved March 27, The Adventures of Superman.

Per Ricca , p. Archived from the original on June 26, Archived from the original on March 22, Retrieved March 22, Decades of comic book mythology and a hit TV series have made Superman's hometown of Smallville, Kan. Warner Bros. Archived from the original on February 2, Archived from the original on July 17, Retrieved December 25, WebCitation archive. Superman the Unauthorized Biography , p. August 14, Show your love for the iconic videos with this sticker bundle!

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Since Action Comics 1 , Superman has superhuman strength. The cover of Action Comics 1 shows him effortlessly lifting a car over his head. Another classic feat of strength on Superman's part is breaking steel chains. In some stories, he is strong enough to shift the orbits of planets [] and crush coal into diamond with his hands.

Since Action Comics 1 , Superman has a highly durable body, invulnerable for most practical purposes. At the very least, bullets bounce harmlessly off his body. In some stories, such as Kingdom Come , not even a nuclear bomb can harm him. In the earliest stories, Superman's costume is made out of exotic materials that are as tough as he is, which is why it typically doesn't tear up when he does superman feats. In later stories, beginning with Man of Steel 1 , Superman's body is said to project an aura that renders invulnerable any tight-fitting clothes he wears, and hence his costume is as durable as he is even if made of common cloth.

In Action Comics 1, Superman could not fly. He traveled by running and leaping, which he could do to a prodigious degree thanks to his strength. Superman gained the ability to fly in the second episode of the radio serial in He can break the sound barrier, and in some stories, he can even fly faster than light to travel to distant galaxies. Superman can project and perceive X-rays via his eyes, which allows him to see through objects.

He first uses this power in Action Comics 11 Certain materials such as lead can block his X-ray vision. Superman can project beams of heat from his eyes which are hot enough to melt steel. He first used this power in Superman 59 by applying his X-ray vision at its highest intensity.

In later stories, this ability is simply called "heat vision". Superman can hear sounds that are too faint for a human to hear, and at frequencies outside the human hearing range. This ability was introduced in Action Comics 11 Since Action Comics 20 , Superman possesses superhuman breath, which enables him to inhale or blow huge amounts of air, as well as holding his breath indefinitely to remain underwater or space without adverse effects.

He has a significant focus of his breath's intensity to the point of freezing targets by blowing on them. The "freeze breath" was first demonstrated in Superman Action Comics 1 explained that Superman's strength was common to all Kryptonians because they were a species "millions of years advanced of our own". In the first newspaper strips, Jor-El is shown running and leaping like Superman, and his wife survives a building collapsing on her.

Later stories explained they evolved superhuman strength simply because of Krypton's higher gravity. Superman established that Superman's abilities other than strength flight, durability, etc. In Action Comics , all of his powers including strength are activated by yellow sunlight and can be deactivated by red sunlight similar to that of Krypton's sun. Exposure to green kryptonite radiation nullifies Superman's powers and incapacitates him with pain and nausea; prolonged exposure will eventually kill him.

Although green kryptonite is the most commonly seen form, writers have introduced other forms over the years: such as red, gold, blue, white, and black, each with its own effect. Kryptonite first appeared in a episode of the radio serial. Superman is also vulnerable to magic. Enchanted weapons and magical spells affect Superman as easily as they would a normal human.

This weakness was established in Superman Superman's first and most famous supporting character is Lois Lane , introduced in Action Comics 1. She is a fellow journalist at the Daily Planet. As Jerry Siegel conceived her, Lois considers Clark Kent to be a wimp, but she is infatuated with the bold and mighty Superman, not knowing that Kent and Superman are the same person. Siegel objected to any proposal that Lois discover that Clark is Superman because he felt that, as implausible as Clark's disguise is, the love triangle was too important to the book's appeal.

This was the first story in which Superman and Lois marry that wasn't an "imaginary tale. Other supporting characters include Jimmy Olsen , a photographer at the Daily Planet , who is friends with both Superman and Clark Kent, though in most stories he doesn't know that Clark is Superman.

Jimmy is frequently described as "Superman's pal", and was conceived to give young male readers a relatable character through which they could fantasize being friends with Superman.

Clark Kent's foster parents are Ma and Pa Kent. In many stories, one or both of them have died by the time Clark becomes Superman. Clark's parents taught him that he should use his abilities for altruistic means, but that he should also find some way to safeguard his private life. The villains Superman faced in the earliest stories were ordinary humans, such as gangsters, corrupt politicians, and violent husbands; but they soon grew more colorful and outlandish so as to avoid offending censors or scaring children.

Superman's best-known nemesis, Lex Luthor , was introduced in Action Comics 23 April and has been depicted as either a mad scientist or a wealthy businessman sometimes both. The details Superman's story and supporting cast vary across his large body of fiction released since , but most versions conform to the basic template described above.

A few stories feature radically altered versions of Superman. DC Comics has on some occasions published crossover stories where different versions of Superman interact with each other using the plot device of parallel universes. For instance, in the s, the Superman of "Earth-One" would occasionally feature in stories alongside the Superman of "Earth-Two", the latter of whom resembled Superman as he was portrayed in the s.

DC Comics has not developed a consistent and universal system to classify all versions of Superman. Superman is often thought of as the first superhero. This point is debated by historians: Ogon Bat , the Phantom , Zorro , and Mandrake the Magician arguably fit the definition of the superhero yet predate Superman.

Nevertheless, Superman popularized this kind of character and established the conventions: a costume, a codename, extraordinary abilities, and an altruistic mission. The very word "superhero" is derived from "Superman". This flourishing is today referred to as America's Golden Age of Comic Books , which lasted from to about The Golden Age ended when American superhero book sales declined, leading to the cancellation of many characters; but Superman was one of the few superhero franchises that survived this decline, and his sustained popularity into the late s helped the second flourishing in the Silver Age of Comic Books , when characters such as Spider-Man , Iron Man , and The X-Men were created.

After World War 2, American superhero fiction entered Japanese culture. Astro Boy , first published in , was inspired by Mighty Mouse , which itself was a parody of Superman. These shows were popular with the Japanese and inspired Japan's own prolific genre of superheroes. The first Japanese superhero movie, Super Giant , was released in Starting with the Pop Art period and on a continuing basis, since the s the character of Superman has been "appropriated" by multiple visual artists and incorporated into contemporary artwork, [] [] most notably by Andy Warhol , [] [] Roy Lichtenstein , [] Mel Ramos , [] Dulce Pinzon , [] Mr.

Lennox Campello , [] and others. Superman is the prototypical superhero and consequently the most frequently parodied. In , Bugs Bunny was featured in a short, Super-Rabbit , which sees the character gaining powers through eating fortified carrots. This short ends with Bugs stepping into a phone booth to change into a real "Superman" and emerging as a U. In Daffy Duck assumes the mantle of "Cluck Trent" in the short Stupor Duck , a role later reprised in various issues of the Looney Tunes comic book.

The manga and anime series Dr. Slump featured the character Suppaman ; a short, fat, pompous man who changes into a thinly veiled Superman-like alter-ego by eating a sour-tasting umeboshi. Jerry Seinfeld , a noted Superman fan, filled his series Seinfeld with references to the character and in asked for Superman to co-star with him in a commercial for American Express.

Seagle's graphic novel Superman: It's a Bird exploring Seagle's feelings on his own mortality as he struggles to develop a story for a Superman tale. Superman was depicted as emaciated and breathing from an oxygen tank, demonstrating that no-one is beyond the reach of the disease, and it can destroy the lives of everyone. Superman has also featured as an inspiration for musicians, with songs by numerous artists from several generations celebrating the character.

Donovan 's Billboard Hot topping single " Sunshine Superman " utilized the character in both the title and the lyric, declaring "Superman and Green Lantern ain't got nothing on me.

This cover is referenced by Grant Morrison in Animal Man , in which Superman meets the character, and the track comes on Animal Man 's Walkman immediately after. Superman has been interpreted and discussed in many forms in the years since his debut, with Umberto Eco noting that "he can be seen as the representative of all his similars". He regarded Superman's character in the early seventies as a comment on the modern world, which he saw as a place in which "only the man with superpowers can survive and prosper.

Grayling, writing in The Spectator , traces Superman's stances through the decades, from his s campaign against crime being relevant to a nation under the influence of Al Capone , through the s and World War II, a period in which Superman helped sell war bonds , [] and into the s, where Superman explored the new technological threats.

Bush and the terrorist Osama bin Laden , America is in earnest need of a Saviour for everything from the minor inconveniences to the major horrors of world catastrophe. And here he is, the down-home clean-cut boy in the blue tights and red cape". An influence on early Superman stories is the context of the Great Depression. Superman took on the role of social activist, fighting crooked businessmen and politicians and demolishing run-down tenements.

Scott Bukatman has discussed Superman, and the superhero in general, noting the ways in which they humanize large urban areas through their use of the space, especially in Superman's ability to soar over the large skyscrapers of Metropolis.

He writes that the character "represented, in , a kind of Corbusierian ideal. Superman has X-ray vision: walls become permeable, transparent. Through his benign, controlled authority, Superman renders the city open, modernist and democratic; he furthers a sense that Le Corbusier described in , namely, that 'Everything is known to us'.

Jules Feiffer has argued that Superman's real innovation lay in the creation of the Clark Kent persona, noting that what "made Superman extraordinary was his point of origin: Clark Kent. Joe and I had certain inhibitions That's where the dual-identity concept came from" and Shuster supporting that as being "why so many people could relate to it". Ian Gordon suggests that the many incarnations of Superman across media use nostalgia to link the character to an ideology of the American Way.

He defines this ideology as a means of associating individualism, consumerism, and democracy and as something that took shape around WWII and underpinned the war effort. Superman, he notes was very much part of that effort. Superman is considered the prototypical superhero. He established the major conventions of the archetype: a selfless, prosocial mission; extraordinary, perhaps superhuman, abilities; a secret identity and codename; and a colorful costume that expresses his nature.

Superman's immigrant status is a key aspect of his appeal. The extraterrestrial origin was seen by Regalado as challenging the notion that Anglo-Saxon ancestry was the source of all might.

Through the use of a dual identity, Superman allowed immigrants to identify with both of their cultures. Clark Kent represents the assimilated individual, allowing Superman to express the immigrants' cultural heritage for the greater good.

He argues that Superman's early stories portray a threat: "the possibility that the exile would overwhelm the country. Some believe that Superman took inspiration from Judaic mythology.

For example, Moses as a baby was sent away by his parents in a reed basket to escape death and adopted by a foreign culture. Gabriel , Ariel , who are airborne humanoid agents of good with superhuman powers. All that said, historians such as Martin Lund and Les Daniels argue that the evidence for Judaic influence in the original stories is merely circumstantial. Jerry Siegel and Joe Shuster were not practicing Jews and never acknowledged the influence of Judaism in any memoir or interview.

Superman stories have occasionally exhibited Christian themes as well. Screenwriter Tom Mankiewicz consciously made Superman an allegory for Jesus Christ in the movie starring Christopher Reeve : baby Kal-El's ship resembles the Star of Bethlehem , and Jor-El gives his son a messianic mission to lead humanity into a brighter future.

From Wikipedia, the free encyclopedia. Comic book superhero. This article is about the superhero. For other uses, see Superman disambiguation. Superman in Superman: Secret Origin 6 October Art by Gary Frank and Jon Sibal. See list. Jerry Siegel , writer.

Joe Shuster , illustrator. See also: Publication history of Superman and Superman franchise. See also: List of Superman comics. The cover of Superman 6 Sept. See also: Superman comic strip. Main article: Superman franchise.

Main article: List of Superman video games. Main article: Copyright lawsuits by Superman's creators. See also: National Comics Publications v. Fawcett Publications. For other uses, see Clark Kent disambiguation. See also: Superman character and cast and List of Superman supporting characters.

Main article: List of Superman enemies. Main article: Alternative versions of Superman. Title card of Super-Rabbit. An early parody cartoon featuring Bugs Bunny as Superman.

See also: Superman in popular music. Jerry Siegel always referred to this publisher as "Consolidated" in all interviews and memoirs. Humor Publishing was possibly a subsidiary of Consolidated.

On September 30, , these two companies merged to become National Comics Publications. In , the company changed its name to National Periodical Publications. Since , the publisher had placed a logo with the initials "DC" on all its magazine covers, and consequently "DC Comics" became an informal name for the publisher.

Because the copyright to Action Comics 1 was in its renewal term on October 27, the date the Copyright Term Extension Act became effective , its copyright will expire 95 years after first publication. See Catalog of Copyright Entries. United States Library of Congress. January Summarized in Ricca , Super Boys , p.

Superman: The Complete History , p. Creation of a Superhero unpublished memoir, written c. Something more terrific than the other adventure strips on the market!

He gained fantastic strength, bullets bounced off him, etc. He fought crime with the fury of an outraged avenger. I understand that the comic strip Dr. Fu Manchu ran into all sorts of difficulties because the main character was a villain. And with the example before us of Tarzan and other action heroes of fiction who were very successful, mainly because people admired them and looked up to them, it seemed the sensible thing to do to make The Superman a hero.

The first piece was a short story, and that's one thing, but creating a successful comic strip with a character you'll hope will continue for many years, it would definitely be going in the wrong direction to make him a villain. He was simply wearing a T-shirt and pants; he was more like Slam Bradley than anything else — just a man of action. We don't specifically recall if the character had a costume or not. Superman on Film, Television, Radio and Broadway , p.

Detective Dan was little more than a Dick Tracy clone, but here, for the first time, in a series of black-and-white illustrations, was a comic magazine with an original character appearing in all-new stories.

This was a dramatic departure from other comic magazines, which simply reprinted panels from the Sunday newspaper comic strips. Livingston in his hotel room, and he was favorably impressed. The Superman".

Comic Book Marketplace. Gemstone Publishing Inc. Allen St. John, and even Bernie Schmittke [ At my request, he gave me as a gift the torn cover. We continued collaborating on other projects. Tye argues that the account from the memoir is the truth and that Shuster lied in the interview to avoid tension. See also Creation of a Superhero unpublished memoir by Jerry Siegel, written c.

He did not send me a copy of it. Entertainment, Inc. He stated that in his opinion "Superman" was already a tremendous hit and that he would be glad to collaborate with me on "Superman". Men of Tomorrow , p. Compilation available at Dropbox. He wrote that he was completely withdrawing from any participation at all in the "Superman" comic strip and that as far as he was concerned: "the book is closed". Unhappily, I destroyed the letter. I did that because that was my concept from what he described, but he did inspire me [ They occasionally claimed to have developed it immediately in Daniels writes: " Siegel's collaboration with Russell Keaton in contains no description nor illustration of Superman in costume.

Tye writes that Siegel and Shuster developed the costume shortly after they resumed working together in late In the third version, Superman wore sandals laced halfway up the calf. You can still see this on the cover of Action 1, though they were covered over in red to look like boots when the comic was printed.

See Ricca , Super Boys , p. Our experience with him had been such that we did not consider him the publisher to entrust with the property and his proposal was rejected.

National Comics Publications Inc. Superman , p. Archived from the original on December 22, Retrieved December 20, — via Scribd. Note: Archive of p. This was a three-way call between Gaines, Liebowitz and myself.

Gaines informed me that the syndicate was unable to use the various strips which I had sent for inclusion in the proposed syndicate newspaper tabloid. He asked my permission to turn these features, including "Superman", over to Detective Comics' publishers for consideration for their proposed new magazine, "Action Comics".

I consented. The Life and Times of Jerry Siegel unpublished memoir, written c. The Saturday Evening Post. Archived PDF from the original on September 13, They knew that was how the business worked — that's how they'd sold every creation from Henri Duval to Slam Bradley. Carter was able to leap great distances because the planet Mars was smaller that [sic] the planet Earth; and he had great strength.

I visualized the planet Krypton as a huge planet, much larger than Earth; so whoever came to Earth from that planet would be able to leap great distances and lift great weights. It influenced me, too. Science Fiction Studies. ISSN Archived from the original on April 3, Retrieved December 6, I was inspired by the movies.

In the silent films, my hero was Douglas Fairbanks Senior, who was very agile and athletic. So I think he might have been an inspiration to us, even in his attitude. He had a stance which I often used in drawing Superman. You'll see in many of his roles—including Robin Hood—that he always stood with his hands on his hips and his feet spread apart, laughing—taking nothing seriously. I did also see The Scarlet Pimpernel but didn't care much for it. In addition, it would, in a comic strip, permit some humorous characterization.

Event occurs at Archived from the original on December 28, What if I had something special going for me, like jumping over buildings or throwing cars around or something like that? Then maybe they would notice me. I was so skinny; I went in for weight-lifting and athletics. I used to get all the body-building magazines from the second-hand stores — and read them Super Boys , p.

Joe just squinted the eyes like his idol Roy Crane [did with his characters] and added a Dick Tracy smile. August Coronado, California: Gemstone Publishing. Its usage was almost always preceded by "a. Wonder Stories. The Times. The Independent. March 30, Archived from the original on April 2, Retrieved March 30, Retrieved July 30, The Beat.

In , the first year in which sales data was made public, Superman was selling more comic books than any other title or character, and he stayed on top through much of the decade. September 29, Retrieved July 8, A mere decade later, in , the average age of comic book readers was Superman: The Persistence of an American Icon p. The Comics Journal. Archived from the original on May 29, Retrieved March 1, Jerry Siegel had his hands — and typewriter — full, turning out stories for the comic books and the daily newspaper strips which had completely separate continuities from the Sundays.

Archived from the original on October 8, Retrieved March 2, Archived from the original on June 30, Archived from the original on March 26, Retrieved February 28, Having Superman's story play out across different venues presented a challenge for Jerry [Siegel] and the writers who came after him: Each installment needed to seem original yet part of a whole, stylistically and narratively. Their solution, at the beginning, was to wing it Not only did editors tell Jerry to cut out the guns and knives and cut back on social crusading, they started calling the shots on minute details of script and drawing.

Henceforth, Superman would be forbidden to use his powers to kill anyone, even a villain. No alienating parents or teachers. Evil geniuses like the Ultra-Humanite were too otherworldly to give kids nightmares The Prankster, the Toyman, the Puzzler, and J.

Wilbur Wolngham, a W. Fields lookalike, used tricks and gags instead of a bow and arrows in their bids to conquer Superman. For editors wary of controversy, s villains like those were a way to avoid the sharp edges of the real world.

That worked fine when all the books centered around Superman and all the writing was done by a small stable. Now the pool of writers had grown and there were eight different comic books with hundreds of Superman stories a year to worry about. There would eventually be encyclopedias, two in fact, but the first did not appear until All the plot complications were beguiling to devoted readers, who loved the challenge of keeping current, but to more casual fans they could be exhausting.

There was none of what Mort would have called "touchy-feely" either, much as readers might have liked to know how Clark felt about his split personality, or whether Superman and Lois engaged in the battles between the sexes that were a hallmark of the era. I want to get rid of all the robots that are used to get him out of situations. And I'm sick and tired of that stupid suit Clark Kent wears all the time.

I want to give him more up-to-date clothes. And maybe the most important thing I want to do is take him out of the Daily Planet and put him into television. Most of them get their news on television, and I think it's high time after all these years. The corporate mind, ever focused on the bottom line of the balance sheet, favored bland "house styles" of rendering The Krypton Companion , p.

Superman was drawn in a more detailed, realistic style of illustration. He also looked bigger and stronger. I made him taller—nine heads high—but kept his massive chest. Drawing Superman. Essay reprinted in Eury , pp. Box Office Mojo. Archived from the original on August 26, Retrieved July 24, Moviebob Central.

We offered the dream of every man — to fly, to be super. Robert Maxwell hoped for an adult time slot, so he made Superman an adult show, with death scenes and rough violence. Stone Bridge Press. ISBN In Geraghty, Lincoln ed. Scarecrow Press. The New York Times. Retrieved October 26, The Licensing Letter. July 23, Retrieved August 7, Superman Homepage. Superman: The Persistence of an American Icon , p. Originally submitted as an exhibit in Jerome Siegel and Joseph Shuster vs. YouTube video.

NerdSync Productions. Archived from the original on November 22, Retrieved May 21, Copyright date registered as 25 September Alter Ego. Archived from the original on March 6, Retrieved March 27, The Adventures of Superman. Per Ricca , p. Archived from the original on June 26, Archived from the original on March 22, Retrieved March 22, Decades of comic book mythology and a hit TV series have made Superman's hometown of Smallville, Kan.

Warner Bros. Archived from the original on February 2, Archived from the original on July 17, Retrieved December 25, WebCitation archive. Superman the Unauthorized Biography , p. August 14, Archived from the original on August 28, In Dougall, Alastair ed.

The DC Comics Encyclopedia. London : Dorling Kindersley. Episode 2. February 14, There, in the sky! It's a man! It's not possible! Green Kryptonite introduced in this story.

I know that a formula can possibly prove monotonous through repetition but I fear that if this element is removed from the story formula that makes up SUPERMAN, that this strip will lose a great part of its effectiveness. Archived from the original on October 17, Retrieved March 16, In Freedman, Alisa; Slade, Toby eds.

Introducing Japanese Popular Culture. Retrieved July 7, San Antonio Magazine. June 20, Miami New Times. Brainwash will convert a Richard Meier-designed building into a Beverly Hills art museum". February 18, The New York Review of Books. The New Yorker. Jack Laugher Naked. Derek Carr Sexy. Jake Miller Pool Pic. Troye Sivan Nice Ass. Diogo Picarra Shirtless. Skip to content Taylor Caniff. Taylor Caniff Naked 4 Photos. Taylor Caniff Sexy 1 Photo Search for:.

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In November, Keaton showed his strips to a newspaper syndicate, but they too were rejected, and he abandoned the project. Siegel and Shuster reconciled and resumed developing Superman together. The character became an alien from the planet Krypton. Shuster designed the now-familiar costume: tights with an "S" on the chest, over-shorts, and a cape.

He had been slow to respond to their letters and hadn't paid them for their work in New Fun Comics 6. They chose to keep marketing Superman to newspaper syndicates themselves. Wheeler-Nicholson's financial difficulties continued to mount. Wheeler-Nicholson fell into deep debt to Donenfeld and Liebowitz, and in early January , Donenfeld and Liebowitz petitioned Wheeler-Nicholson's company into bankruptcy and seized it. In early December , Siegel visited Liebowitz in New York, and Liebowitz asked Siegel to produce some comics for an upcoming comic anthology magazine called Action Comics.

Gaines informed Siegel that McClure had rejected Superman, and asked if he could forward their Superman strips to Liebowitz so that Liebowitz could consider them for Action Comics. Siegel agreed. This was normal practice in the business, and Siegel and Shuster had given away the copyrights to their previous works as well [50] see the Copyright issues section of this article for more details on this matter.

The duo's revised version of Superman appeared in the first issue of Action Comics , which was published on April 18, Siegel and Shuster read pulp science-fiction and adventure magazines , and many stories featured characters with fantastical abilities such as telepathy, clairvoyance, and superhuman strength. John Carter is a human who is transported to Mars, where the lower gravity makes him stronger than the natives and allows him to leap great distances.

Superman's stance and devil-may-care attitude were influenced by the characters of Douglas Fairbanks , who starred in adventure films such as The Mark of Zorro and Robin Hood.

Siegel thought this would make for interesting dramatic contrast and good humor. The archetypal Lloyd character was a mild-mannered man who finds himself abused by bullies but later in the story snaps and fights back furiously. Kent is a journalist because Siegel often imagined himself becoming one after leaving school. The love triangle between Lois Lane , Clark, and Superman was inspired by Siegel's own awkwardness with girls. The pair collected comic strips in their youth, with a favorite being Winsor McCay 's fantastical Little Nemo.

As a boy, Shuster was interested in fitness culture [63] and a fan of strongmen such as Siegmund Breitbart and Joseph Greenstein. He collected fitness magazines and manuals and used their photographs as visual references for his art. The visual design of Superman came from multiple influences. The tight-fitting suit and shorts were inspired by the costumes of wrestlers, boxers, and strongmen.

In early concept art, Shuster gave Superman laced sandals like those of strongmen and classical heroes, but these were eventually changed to red boots. Many pulp action heroes such as swashbucklers wore capes. Superman's face was based on Johnny Weissmuller with touches derived from the comic-strip character Dick Tracy and from the work of cartoonist Roy Crane.

The word "superman" was commonly used in the s and s to describe men of great ability, most often athletes and politicians. Since , Superman stories have been regularly published in periodical comic books published by DC Comics. The first and oldest of these is Action Comics , which began in April The second oldest periodical is Superman , which began in June Action Comics and Superman have been published without interruption ignoring changes to the title and numbering scheme.

Superman has sold more comic books over his publication history than any other American superhero character. Superman 75 Nov sold over 23 million copies, [77] making it the best-selling issue of a comic book of all time, thanks to a media sensation over the supposedly permanent death of the character in that issue.

In March , Action Comics sold just 51, copies, although such low figures are normal for superhero comic books in general for comparison, Amazing Spider-Man sold only , copies. Comic book stories can be produced quickly and cheaply, and are thus an ideal medium for experimentation. Whereas comic books in the s were read by children, since the s the average reader has been an adult. This made comic books less accessible to children.

Beginning in January , a Superman daily comic strip appeared in newspapers, syndicated through the McClure Syndicate. A color Sunday version was added that November. Jerry Siegel wrote most of the strips until he was conscripted in The Sunday strips had a narrative continuity separate from the daily strips, possibly because Siegel had to delegate the Sunday strips to ghostwriters. Initially, Siegel was allowed to write Superman more or less as he saw fit because nobody had anticipated the success and rapid expansion of the franchise.

Mort Weisinger was the editor on Superman comics from to , his tenure briefly interrupted by military service. Siegel and his fellow writers had developed the character with little thought of building a coherent mythology, but as the number of Superman titles and the pool of writers grew, Weisinger demanded a more disciplined approach. Elements such as Bizarro , Supergirl , the Phantom Zone , the Fortress of Solitude , alternate varieties of kryptonite , robot doppelgangers , and Krypto were introduced during this era.

The complicated universe built under Weisinger was beguiling to devoted readers but alienating to casuals. Weisinger retired in and Julius Schwartz took over. By his own admission, Weisinger had grown out of touch with newer readers. These changes would eventually be reversed by later writers. Schwartz allowed stories with serious drama such as " For the Man Who Has Everything " Superman Annual 11 , in which the villain Mongul torments Superman with an illusion of happy family life on a living Krypton.

His retirement coincided with DC Comics' decision to streamline the shared continuity called the DC Universe with the companywide-crossover storyline " Crisis on Infinite Earths ".

Writer John Byrne rewrote the Superman mythos, again reducing Superman's powers, which writers had slowly re-strengthened, and revised many supporting characters, such as making Lex Luthor a billionaire industrialist rather than a mad scientist, and making Supergirl an artificial shapeshifting organism because DC wanted Superman to be the sole surviving Kryptonian.

Carlin was promoted to Executive Editor for the DC Universe books in , a position he held until Carlson took his place as editor of the Superman comics. In the earlier decades of Superman comics, artists were expected to conform to a certain "house style". After Shuster left National, Wayne Boring succeeded him as the principal artist on Superman comic books. The first adaptation of Superman beyond comic books was a radio show, The Adventures of Superman , which ran from to for 2, episodes, most of which were aimed at children.

The episodes were initially 15 minutes long, but after they were lengthened to 30 minutes. Most episodes were done live. In Superman had a Tony -nominated musical play produced on Broadway. It's a Bird It's a Plane DC Comics trademarked the Superman chest logo in August The earliest paraphernalia appeared in a button proclaiming membership in the Supermen of America club. The first toy was a wooden doll in made by the Ideal Novelty and Toy Company.

Action Comics and Superman carried messages urging readers to buy war bonds and participate in scrap drives. This was normal practice in the comic magazine industry and they had done the same with their previous published works Slam Bradley , Doctor Occult , etc. Siegel wrote most of the magazine and daily newspaper stories until he was conscripted into the army in , whereupon the task was passed to ghostwriters.

Siegel was furious because DC Comics did this without having bought the character. In , Siegel and Shuster attempted to regain rights to Superman using the renewal option in the Copyright Act of , but the court ruled Siegel and Shuster had transferred the renewal rights to DC Comics in Siegel and Shuster appealed, but the appeals court upheld this decision.

DC Comics fired Siegel when he filed this second lawsuit. In , Siegel and a number of other comic book writers and artists launched a public campaign for better compensation and treatment of comic creators.

Warner Brothers agreed to give Siegel and Shuster a yearly stipend, full medical benefits, and credit their names in all future Superman productions in exchange for never contesting ownership of Superman.

Siegel and Shuster upheld this bargain. Shuster died in DC Comics offered Shuster's heirs a stipend in exchange for never challenging ownership of Superman, which they accepted for some years. Siegel died in His heirs attempted to take the rights to Superman using the termination provision of the Copyright Act of Copyright lawyer and movie producer Marc Toberoff then struck a deal with the heirs of both Siegel and Shuster to help them get the rights to Superman in exchange for signing the rights over to his production company, Pacific Pictures.

Both groups accepted. In , the judge ruled in favor of the Siegels. DC Comics appealed the decision, and the appeals court ruled in favor of DC, arguing that the October letter was binding. In , the Shuster heirs served a termination notice for Shuster's grant of his half of the copyright to Superman.

DC Comics sued the Shuster heirs in , and the court ruled in DC's favor on the grounds that the agreement with the Shuster heirs barred them from terminating the grant. Under current US copyright law, Superman is due to enter the public domain in Versions of him with later developments, such as his power of " heat vision " introduced in , may persist under copyright until the works they were introduced in enter the public domain themselves. Superman's success immediately begat a wave of imitations.

The most successful of these at this early age was Captain Marvel , first published by Fawcett Comics in December Captain Marvel had many similarities to Superman: Herculean strength, invulnerability, the ability to fly, a cape, a secret identity, and a job as a journalist.

DC Comics filed a lawsuit against Fawcett Comics for copyright infringement. The trial began in March after seven years of discovery.

The judge ruled that Fawcett had indeed infringed on Superman. However, the judge also found that the copyright notices that appeared with the Superman newspaper strips did not meet the technical standards of the Copyright Act of and were therefore invalid. Furthermore, since the newspaper strips carried stories adapted from Action Comics , the judge ruled that DC Comics had effectively abandoned the copyright to the Action Comics stories.

The judge ruled that DC Comics had effectively abandoned the copyright to Superman and therefore forfeited its right to sue Fawcett for copyright infringement. DC Comics appealed this decision. The appeals court ruled that unintentional mistakes in the copyright notices of the newspaper strips did not invalidate the copyrights.

Furthermore, Fawcett knew that DC Comics never intended to abandon the copyrights, and therefore Fawcett's infringement was not an innocent misunderstanding, and therefore Fawcett owed damages to DC Comics. This section details the most consistent elements of the Superman narrative in the myriad stories published since In Action Comics 1 , Superman is born on an alien world to a technologically advanced species that resembles humans.

Shortly after he is born, his planet is destroyed in a natural cataclysm, but Superman's scientist father foresaw the calamity and saves his baby son by sending him to Earth in a small spaceship. The ship, sadly, is too small to carry anyone else, so Superman's parents stay behind and die. The earliest newspaper strips name the planet "Krypton", the baby "Kal-L", and his biological parents "Jor-L" and "Lora"; [] their names were changed to "Jor-el", and "Lara" in a spinoff novel by George Lowther.

The Kents name the boy Clark and raise him in a farming community. A episode of the radio serial places this unnamed community in Iowa. The Superman movie placed it in Kansas, as have most Superman stories since.

In Action Comics 1 and most stories before , Superman's powers begin developing in infancy. From to , DC Comics regularly published stories of Superman's childhood and adolescent adventures, when he called himself " Superboy ". From on beginning with Man of Steel 1 , Superman's powers emerged more slowly and he began his superhero career as an adult. The Kents teach Clark he must conceal his otherworldly origins and use his fantastic powers to do good.

Clark creates the costumed identity of Superman so as to protect his personal privacy and the safety of his loved ones. As Clark Kent, he wears eyeglasses to disguise his face and wears his Superman costume underneath his clothes so that he can change at a moment's notice.

To complete this disguise, Clark avoids violent confrontation, preferring to slip away and change into Superman when danger arises, and he suffers occasional ridicule for his apparent cowardice.

In Superboy 78 , Superboy makes his costume out of the indestructible blankets found in the ship he came to Earth in. In Man of Steel 1 , Martha Kent makes the costume from human-manufactured cloth, and it is rendered indestructible by an "aura" that Superman projects. The "S" on Superman's chest at first was simply an initial for "Superman". When writing the script for the movie , Tom Mankiewicz made it Superman's Kryptonian family crest.

In the comic story Superman: Birthright , the crest is described as an old Kryptonian symbol for hope. Clark works as a newspaper journalist. In the earliest stories, he worked for The Daily Star , but the second episode of the radio serial changed this to the Daily Planet. In comics from the early s, Clark worked as a television journalist an attempt to modernize the character.

However, for the movie , the producers chose to make Clark a newspaper journalist again because that was how most of the public thought of him. The first story in which Superman dies was published in Superman , in which he is murdered by Lex Luthor by means of kryptonite. This story was "imaginary" and thus was ignored in subsequent books. In Superman April , Superman is killed by kryptonite radiation but is revived in the same issue by one of his android doppelgangers.

He was later revived by the Eradicator using Kryptonian technology. In Superman 52 May Superman is killed by kryptonite poisoning, and this time he is not resurrected, but replaced by the Superman of an alternate timeline. Superman maintains a secret hideout called the "Fortress of Solitude", which is located somewhere in the Arctic.

Here, Superman keeps a collection of mementos and a laboratory for science experiments. In Action Comics , the Fortress of Solitude is a cave in a mountain, sealed with a very heavy door that is opened with a gigantic key too heavy for anyone but Superman to use. In the movie, the Fortress of Solitude is a structure made out of ice. The movie Man of Steel portrays the Fortress as a Kryptonian exploratory craft buried deep beneath rock and ice. Although his name and history were taken from his early life with his adoptive Earth parents, everything about Clark was staged for the benefit of his alternate identity: as a reporter for the Daily Planet , he receives late-breaking news before the general public, has a plausible reason to be present at crime scenes, and need not strictly account for his whereabouts as long as he makes his story deadlines.

He sees his job as a journalist as an extension of his Superman responsibilities—bringing truth to the forefront and fighting for the little guy. He believes that everybody has the right to know what is going on in the world, regardless of who is involved.

To deflect suspicion that he is Superman, Clark Kent adopted a largely passive and introverted personality with conservative mannerisms, a higher-pitched voice, and a slight slouch. This personality is typically described as "mild-mannered", perhaps most famously by the opening narration of Max Fleischer 's Superman animated theatrical shorts.

These traits extended into Clark's wardrobe, which typically consists of a bland-colored business suit, a red necktie, black-rimmed glasses, combed-back hair, and occasionally a fedora. Clark wears his Superman costume underneath his street clothes, allowing easy changes between the two personae and the dramatic gesture of ripping open his shirt to reveal the familiar "S" emblem when called into action. His hair will also change with the costume change, with Superman sporting a small curl or spit curl on his forehead.

Superman usually stores his Clark Kent clothing compressed in a secret pouch within his cape, [] though some stories have shown him leaving his clothes in some covert location such as the Daily Planet storeroom [] for later retrieval.

As Superman's alter ego , the personality, concept, and name of Clark Kent have become ingrained in popular culture as well, becoming synonymous with secret identities and innocuous fronts for ulterior motives and activities. In , Superman co-creator Joe Shuster told the Toronto Star that the name derived from s cinematic leading men Clark Gable and Kent Taylor , but the persona from bespectacled silent film comic Harold Lloyd and himself. In the original Siegel and Shuster stories, Superman's personality is rough and aggressive.

He often uses excessive force and terror against criminals, on some occasions even killing them. This came to an end in late when new editor Whitney Ellsworth instituted a code of conduct for his characters to follow, banning Superman from ever killing. Ellsworth's code, however, is not to be confused with " the Comics Code ", which was created in by the Comics Code Authority and ultimately abandoned by every major comic book publisher by the early 21st century.

In his first appearances, Superman was considered a vigilante by the authorities, being fired upon by the National Guard as he razed a slum so that the government would create better housing conditions for the poor. By , however, Superman was working side-by-side with the police. He adheres to an unwavering moral code instilled in him by his adoptive parents. Superman can be rather rigid in this trait, causing tensions in the superhero community.

Having lost his home world of Krypton, Superman is very protective of Earth, [] and especially of Clark Kent's family and friends. This same loss, combined with the pressure of using his powers responsibly, has caused Superman to feel lonely on Earth, despite having his friends and parents.

Previous encounters with people he thought to be fellow Kryptonians, Power Girl [] and Mon-El , [] have led to disappointment. The arrival of Supergirl , who has been confirmed to be his cousin from Krypton, relieved this loneliness somewhat.

The catalog of Superman's abilities and his strength has varied considerably over the vast body of Superman fiction released since Since Action Comics 1 , Superman has superhuman strength. The cover of Action Comics 1 shows him effortlessly lifting a car over his head. Another classic feat of strength on Superman's part is breaking steel chains. In some stories, he is strong enough to shift the orbits of planets [] and crush coal into diamond with his hands.

Since Action Comics 1 , Superman has a highly durable body, invulnerable for most practical purposes. At the very least, bullets bounce harmlessly off his body. In some stories, such as Kingdom Come , not even a nuclear bomb can harm him. In the earliest stories, Superman's costume is made out of exotic materials that are as tough as he is, which is why it typically doesn't tear up when he does superman feats.

In later stories, beginning with Man of Steel 1 , Superman's body is said to project an aura that renders invulnerable any tight-fitting clothes he wears, and hence his costume is as durable as he is even if made of common cloth. In Action Comics 1, Superman could not fly. He traveled by running and leaping, which he could do to a prodigious degree thanks to his strength. Superman gained the ability to fly in the second episode of the radio serial in He can break the sound barrier, and in some stories, he can even fly faster than light to travel to distant galaxies.

Superman can project and perceive X-rays via his eyes, which allows him to see through objects. He first uses this power in Action Comics 11 Certain materials such as lead can block his X-ray vision. Superman can project beams of heat from his eyes which are hot enough to melt steel.

He first used this power in Superman 59 by applying his X-ray vision at its highest intensity. In later stories, this ability is simply called "heat vision". Superman can hear sounds that are too faint for a human to hear, and at frequencies outside the human hearing range.

This ability was introduced in Action Comics 11 Since Action Comics 20 , Superman possesses superhuman breath, which enables him to inhale or blow huge amounts of air, as well as holding his breath indefinitely to remain underwater or space without adverse effects.

He has a significant focus of his breath's intensity to the point of freezing targets by blowing on them. The "freeze breath" was first demonstrated in Superman Action Comics 1 explained that Superman's strength was common to all Kryptonians because they were a species "millions of years advanced of our own".

In the first newspaper strips, Jor-El is shown running and leaping like Superman, and his wife survives a building collapsing on her. Later stories explained they evolved superhuman strength simply because of Krypton's higher gravity.

Superman established that Superman's abilities other than strength flight, durability, etc. In Action Comics , all of his powers including strength are activated by yellow sunlight and can be deactivated by red sunlight similar to that of Krypton's sun.

Exposure to green kryptonite radiation nullifies Superman's powers and incapacitates him with pain and nausea; prolonged exposure will eventually kill him. Although green kryptonite is the most commonly seen form, writers have introduced other forms over the years: such as red, gold, blue, white, and black, each with its own effect. Kryptonite first appeared in a episode of the radio serial.

Superman is also vulnerable to magic. Enchanted weapons and magical spells affect Superman as easily as they would a normal human. This weakness was established in Superman Superman's first and most famous supporting character is Lois Lane , introduced in Action Comics 1. She is a fellow journalist at the Daily Planet. As Jerry Siegel conceived her, Lois considers Clark Kent to be a wimp, but she is infatuated with the bold and mighty Superman, not knowing that Kent and Superman are the same person.

Siegel objected to any proposal that Lois discover that Clark is Superman because he felt that, as implausible as Clark's disguise is, the love triangle was too important to the book's appeal. This was the first story in which Superman and Lois marry that wasn't an "imaginary tale. Other supporting characters include Jimmy Olsen , a photographer at the Daily Planet , who is friends with both Superman and Clark Kent, though in most stories he doesn't know that Clark is Superman.

Jimmy is frequently described as "Superman's pal", and was conceived to give young male readers a relatable character through which they could fantasize being friends with Superman. Clark Kent's foster parents are Ma and Pa Kent. In many stories, one or both of them have died by the time Clark becomes Superman. Clark's parents taught him that he should use his abilities for altruistic means, but that he should also find some way to safeguard his private life.

The villains Superman faced in the earliest stories were ordinary humans, such as gangsters, corrupt politicians, and violent husbands; but they soon grew more colorful and outlandish so as to avoid offending censors or scaring children.

Superman's best-known nemesis, Lex Luthor , was introduced in Action Comics 23 April and has been depicted as either a mad scientist or a wealthy businessman sometimes both. The details Superman's story and supporting cast vary across his large body of fiction released since , but most versions conform to the basic template described above.

A few stories feature radically altered versions of Superman. DC Comics has on some occasions published crossover stories where different versions of Superman interact with each other using the plot device of parallel universes. For instance, in the s, the Superman of "Earth-One" would occasionally feature in stories alongside the Superman of "Earth-Two", the latter of whom resembled Superman as he was portrayed in the s.

DC Comics has not developed a consistent and universal system to classify all versions of Superman. Superman is often thought of as the first superhero. This point is debated by historians: Ogon Bat , the Phantom , Zorro , and Mandrake the Magician arguably fit the definition of the superhero yet predate Superman. Nevertheless, Superman popularized this kind of character and established the conventions: a costume, a codename, extraordinary abilities, and an altruistic mission.

The very word "superhero" is derived from "Superman". This flourishing is today referred to as America's Golden Age of Comic Books , which lasted from to about The Golden Age ended when American superhero book sales declined, leading to the cancellation of many characters; but Superman was one of the few superhero franchises that survived this decline, and his sustained popularity into the late s helped the second flourishing in the Silver Age of Comic Books , when characters such as Spider-Man , Iron Man , and The X-Men were created.

After World War 2, American superhero fiction entered Japanese culture. Astro Boy , first published in , was inspired by Mighty Mouse , which itself was a parody of Superman. These shows were popular with the Japanese and inspired Japan's own prolific genre of superheroes. The first Japanese superhero movie, Super Giant , was released in Starting with the Pop Art period and on a continuing basis, since the s the character of Superman has been "appropriated" by multiple visual artists and incorporated into contemporary artwork, [] [] most notably by Andy Warhol , [] [] Roy Lichtenstein , [] Mel Ramos , [] Dulce Pinzon , [] Mr.

Lennox Campello , [] and others. Superman is the prototypical superhero and consequently the most frequently parodied. In , Bugs Bunny was featured in a short, Super-Rabbit , which sees the character gaining powers through eating fortified carrots.

This short ends with Bugs stepping into a phone booth to change into a real "Superman" and emerging as a U. In Daffy Duck assumes the mantle of "Cluck Trent" in the short Stupor Duck , a role later reprised in various issues of the Looney Tunes comic book. The manga and anime series Dr. Slump featured the character Suppaman ; a short, fat, pompous man who changes into a thinly veiled Superman-like alter-ego by eating a sour-tasting umeboshi.

Jerry Seinfeld , a noted Superman fan, filled his series Seinfeld with references to the character and in asked for Superman to co-star with him in a commercial for American Express. Seagle's graphic novel Superman: It's a Bird exploring Seagle's feelings on his own mortality as he struggles to develop a story for a Superman tale. Superman was depicted as emaciated and breathing from an oxygen tank, demonstrating that no-one is beyond the reach of the disease, and it can destroy the lives of everyone.

Superman has also featured as an inspiration for musicians, with songs by numerous artists from several generations celebrating the character. Donovan 's Billboard Hot topping single " Sunshine Superman " utilized the character in both the title and the lyric, declaring "Superman and Green Lantern ain't got nothing on me. This cover is referenced by Grant Morrison in Animal Man , in which Superman meets the character, and the track comes on Animal Man 's Walkman immediately after.

Superman has been interpreted and discussed in many forms in the years since his debut, with Umberto Eco noting that "he can be seen as the representative of all his similars". He regarded Superman's character in the early seventies as a comment on the modern world, which he saw as a place in which "only the man with superpowers can survive and prosper.

Grayling, writing in The Spectator , traces Superman's stances through the decades, from his s campaign against crime being relevant to a nation under the influence of Al Capone , through the s and World War II, a period in which Superman helped sell war bonds , [] and into the s, where Superman explored the new technological threats.

Bush and the terrorist Osama bin Laden , America is in earnest need of a Saviour for everything from the minor inconveniences to the major horrors of world catastrophe. And here he is, the down-home clean-cut boy in the blue tights and red cape". An influence on early Superman stories is the context of the Great Depression. Superman took on the role of social activist, fighting crooked businessmen and politicians and demolishing run-down tenements.

Scott Bukatman has discussed Superman, and the superhero in general, noting the ways in which they humanize large urban areas through their use of the space, especially in Superman's ability to soar over the large skyscrapers of Metropolis. He writes that the character "represented, in , a kind of Corbusierian ideal. Superman has X-ray vision: walls become permeable, transparent.

Through his benign, controlled authority, Superman renders the city open, modernist and democratic; he furthers a sense that Le Corbusier described in , namely, that 'Everything is known to us'.

Jules Feiffer has argued that Superman's real innovation lay in the creation of the Clark Kent persona, noting that what "made Superman extraordinary was his point of origin: Clark Kent. Joe and I had certain inhibitions That's where the dual-identity concept came from" and Shuster supporting that as being "why so many people could relate to it".

Ian Gordon suggests that the many incarnations of Superman across media use nostalgia to link the character to an ideology of the American Way. He defines this ideology as a means of associating individualism, consumerism, and democracy and as something that took shape around WWII and underpinned the war effort.

Superman, he notes was very much part of that effort. Superman is considered the prototypical superhero. He established the major conventions of the archetype: a selfless, prosocial mission; extraordinary, perhaps superhuman, abilities; a secret identity and codename; and a colorful costume that expresses his nature.

Superman's immigrant status is a key aspect of his appeal. The extraterrestrial origin was seen by Regalado as challenging the notion that Anglo-Saxon ancestry was the source of all might. Through the use of a dual identity, Superman allowed immigrants to identify with both of their cultures. Clark Kent represents the assimilated individual, allowing Superman to express the immigrants' cultural heritage for the greater good.

He argues that Superman's early stories portray a threat: "the possibility that the exile would overwhelm the country. Some believe that Superman took inspiration from Judaic mythology. For example, Moses as a baby was sent away by his parents in a reed basket to escape death and adopted by a foreign culture. Gabriel , Ariel , who are airborne humanoid agents of good with superhuman powers.

All that said, historians such as Martin Lund and Les Daniels argue that the evidence for Judaic influence in the original stories is merely circumstantial. Jerry Siegel and Joe Shuster were not practicing Jews and never acknowledged the influence of Judaism in any memoir or interview. Superman stories have occasionally exhibited Christian themes as well.

Screenwriter Tom Mankiewicz consciously made Superman an allegory for Jesus Christ in the movie starring Christopher Reeve : baby Kal-El's ship resembles the Star of Bethlehem , and Jor-El gives his son a messianic mission to lead humanity into a brighter future. From Wikipedia, the free encyclopedia. Comic book superhero.

This article is about the superhero. For other uses, see Superman disambiguation. Superman in Superman: Secret Origin 6 October Art by Gary Frank and Jon Sibal. See list. Jerry Siegel , writer. Joe Shuster , illustrator. See also: Publication history of Superman and Superman franchise.

See also: List of Superman comics. The cover of Superman 6 Sept. See also: Superman comic strip. Main article: Superman franchise. Main article: List of Superman video games. Main article: Copyright lawsuits by Superman's creators.

See also: National Comics Publications v. Fawcett Publications. For other uses, see Clark Kent disambiguation. See also: Superman character and cast and List of Superman supporting characters. Main article: List of Superman enemies. Main article: Alternative versions of Superman. Title card of Super-Rabbit. An early parody cartoon featuring Bugs Bunny as Superman. See also: Superman in popular music. Jerry Siegel always referred to this publisher as "Consolidated" in all interviews and memoirs.

Humor Publishing was possibly a subsidiary of Consolidated. On September 30, , these two companies merged to become National Comics Publications. In , the company changed its name to National Periodical Publications. Since , the publisher had placed a logo with the initials "DC" on all its magazine covers, and consequently "DC Comics" became an informal name for the publisher.

Because the copyright to Action Comics 1 was in its renewal term on October 27, the date the Copyright Term Extension Act became effective , its copyright will expire 95 years after first publication. See Catalog of Copyright Entries. United States Library of Congress. January Summarized in Ricca , Super Boys , p. Superman: The Complete History , p. Creation of a Superhero unpublished memoir, written c. Something more terrific than the other adventure strips on the market! He gained fantastic strength, bullets bounced off him, etc.

He fought crime with the fury of an outraged avenger. I understand that the comic strip Dr. Fu Manchu ran into all sorts of difficulties because the main character was a villain. And with the example before us of Tarzan and other action heroes of fiction who were very successful, mainly because people admired them and looked up to them, it seemed the sensible thing to do to make The Superman a hero.

The first piece was a short story, and that's one thing, but creating a successful comic strip with a character you'll hope will continue for many years, it would definitely be going in the wrong direction to make him a villain. He was simply wearing a T-shirt and pants; he was more like Slam Bradley than anything else — just a man of action.

We don't specifically recall if the character had a costume or not. Superman on Film, Television, Radio and Broadway , p. Detective Dan was little more than a Dick Tracy clone, but here, for the first time, in a series of black-and-white illustrations, was a comic magazine with an original character appearing in all-new stories.

This was a dramatic departure from other comic magazines, which simply reprinted panels from the Sunday newspaper comic strips. Livingston in his hotel room, and he was favorably impressed.

The Superman". Comic Book Marketplace. Gemstone Publishing Inc. Allen St. John, and even Bernie Schmittke [ At my request, he gave me as a gift the torn cover. We continued collaborating on other projects. Tye argues that the account from the memoir is the truth and that Shuster lied in the interview to avoid tension. See also Creation of a Superhero unpublished memoir by Jerry Siegel, written c.

He did not send me a copy of it. Entertainment, Inc. He stated that in his opinion "Superman" was already a tremendous hit and that he would be glad to collaborate with me on "Superman".

Men of Tomorrow , p. Compilation available at Dropbox. He wrote that he was completely withdrawing from any participation at all in the "Superman" comic strip and that as far as he was concerned: "the book is closed". Obviously, the amount offered for such a gig ranges greatly, however the pay usually averages in the tens of thousands. In addition to that, some social media personalities are also paid a few thousands for simply mentioning a brand on their page.

By the end of his Vine career, Caniff had accumulated over 2. Although he had always updated his Youtube channel on a regular basis, it soon became his main focus following the closing of Vine.

As of June , the social media personality has accumulated over , subscribers and more than 9. Currently, his most-viewed video is that of the music video for his song, On Me Ft. Trey Schafer , which has since been viewed over 1. So then the question is, how many monetized views does he have?

According to his official website, the event will be continuing until the end of June at Indianapolis. For devoted fans, individuals are also able to purchase official merchandise from his online store. In , Caniff received a huge break after breaking into the realm of television in the TV series, Chelsea , where he made a special appearance as himself. Later that year, it was announced that he will be starring in the Netflix reality series, Chasing Cameron.

The series ultimately consisted of ten episodes, all of which were released at once on the video-streaming site. Aside from television, Caniff is also involved with music. That April, the pair came out with their debut single entitled, Buckwild. Given that he continues on with his Youtube channel, his passive stream of income from the site is also like to increase as well.

No, Taylor Caniff is currently single, from what we can tell. At one point however, there were rumors about him dating fellow online star, Taylor Alesia- these claims have since been confirmed to be false by the Youtuber himself. No, from what we can tell, the Youtube star did not go to college. Upon graduating from high school, he presumably began working full-time on his online career.

This February, Caniff announced through his Twitter that he was moving out of his house and into a small apartment. Prior to this, he was living in a house that he had purchased back in when he was only nineteen , in Las Vegas.

Having said that, we do know that he rented a chrome Lamborgini back in , which he showed off on his social media accounts. Within just a few years, Taylor Caniff has made himself to be one of the most prominent stars on the internet.

Even more impressive perhaps, is the fact that he got his own reality series, Chasing Cameron on Netflix last year. Unfortunately, he ran into quite the situation this past May, in the midst of the event. Fortunately, he has since recovered and according to his schedule, still has a few dates left for his tour. For more information, please visit his official website.

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Discover and share Taylor Caniff Quotes. Explore our collection of motivational General picture of Taylor Caniff - Photo 23 of Taylor Caniff Quotes. I loved it so much taking pictures with Taylor and Chris was the best time of my life and I wish I could have stayed longer getting a shirt signed and my.   pictures of taylor caniff Taylor Caniff is an American YouTuber, vine star, social media personality, Caption: Taylor Caniff childhood picture (Source: Instagram). The copyright of the material contained on my OnlyFans page (Including All Images & Video material) is owned by Myself. You do not have permission to Use, Copy. college girl ass Taylor Caniff Celebrity Biography - Check out Vine Star Taylor's Stylist followers and posted so many pictures on his Facebook account. 1 new post from "@taylorcaniff" so I went onto his Instagram to see what he posted. Of course, he posted a picture of him with a girl.

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Taylor Alesia recently outed her "relationship" with beau Taylor Caniff by defiantly posting a photo of them kissing at the beach on Twitter. Upon graduating from high school, he presumably began working full-time on his online career. Where Does Taylor Caniff Live? Pictures of Taylor.  pictures of taylor caniff Discover more posts about taylor caniff imagines. Image. Hey can you make me a quick imagine where you walking home and someone grabs you and you start. Share, rate and discuss pictures of Taylor Caniff's feet on wikiFeet - the most comprehensive celebrity feet database to ever have existed.

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Most liked posts in thread: Taylor caniff $4 pic from yesterday i want to see his whole ass like when he showed off for free a few years ago. Taylor Alesia () – Taylor Alesia made her secret relationship with Caniff public in February by posting a picture of them kissing on the beach.  pictures of taylor caniff taylor michael caniff taylor caniff shirtless matt espinosa shirtless Picture of Colin Ford in General Pictures how old is taylor caniff, taylor caniff. Cameron Dallas, Shawn Mendes, Taylor Caniff and so many others! Grammy Awards Red Carpet Photos, Looks, Best, Worst Dressed. 

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Throwback when life was so much simpler. The also fight the claims that FaZe cheated on Alissa and share incidents where they believe Jake mistreated Alissa. The video also features an appearance from Taylor Caniff , who was at the nightclub, and says that he believes members of Team 10 , including Max Beaumont , purposely set up FaZe and possibly even drugged his drink.

Both Jake and FaZe say that they are taking legal action, so we may end up finding out what truly happened in court. Watch all that FaZe had to say in his response video and gather your own opinions…. Tornados coming. Oh you want to talk about assault, jake?

Sit your ass down. Do you guys know why I have a bunch of scars and permaninant bruises on my body? He never touched that girl. He never cheated on me. The song features Jake and the Team 10 crew rapping about how amazing their lives are. This morning, Taylor took to Twitter to respond about the lines rapped by Chance Sutton. Like Mag who… Digi who… Who are you? Taylor , like most of us, thinks Chance is making reference to MagCon and DigiFest, the super popular traveling conventions that helped launch the careers of many social media stars, like Taylor , Jake , Cameron Dallas and Nash Grier.

We are so glad that Taylor Caniff is okay after a really scary situation in London this weekend. In town for a fan meet up event, the social star had to cancel his appearances after being given a date-rape drug, GBH, at a party and then having his stomach pumped. Recovering now…. Well, after getting GBH date rape in my system after attending my European assistant birthday I lost my mind and got my stomach pumped.

I've been crying endlessly for missing this sold out show. I'm doing better now and i'm on my way to Birmingham. Wanna thank realchrismiles for being a brother and helping me make it safe. And i wanna thank all of you for the well wish's. London i'm coming back and coming with more people. This is just one of those things that was out of my control.

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